Interfictions 2 Seeking Genre-Bending Fiction

Interfictions 2 is looking for submissions of “interstitial” fiction, or stories that bend genres, defy categorization, and are just all around weird. The first Interfictions anthology was high-quality stuff, so this will be a cool anthology to be part of.  It’s edited by Delia Sherman and Chris Barzak, both amazing writers who have been known to break genre rules now and again, and the whole thing is a project of the Interstitial Arts Foundation, a nonprofit that promotes the idea of interstitial art.  (The IAF’s official address is a PO Box in Boston,  but I believe that the organization’s true headquarters may actually exist at the nexus of several parallel universes, like in the DC Comics Crisis on Infinite Earths and sequels; however, this has not yet been confirmed.)

Benjamin Rosenbaum rocks!

Last Sunday I went to the Brooklyn Book Festival with the very cool Dan Braum, and we hung out at the Small Beer Press booth for a while.  Gavin Grant, the shrewdest capitalist and slickest salesman in all of New England, talked me into buying The Ant King, Ben Rosenbaum’s new collection of short stories (as well as some other goodies).

I started thumbing through it, and ended up reading a whole story, and then read another whole story, and now it seems to have bumped its way to the front of the line ahead of two other books I’d been in the middle of reading before.  (Alway a sign that a book is hottt stuff with at least three t’s.)

In the title story, this poor guy’s girlfriend turns into a hundred gumballs just when they were about to have a romantic first-kiss moment, and then he has to rescue her from the evil Ant King’s hideout deep in the bowels of a water park.  How can a story not be amazing with a plot like that?

In another story, an orange takes over the world.  Metaphor?

Ben’s stories (we Bens have to stick together) are definitely of the slipstream/surrealist school, of the best kind.  A good surrealist story is like a good drag act: it bends conventions in unpredictable and interesting ways but never takes itself too seriously.  Plus, sparkly outfits.  That’s exactly what Ben Rosenbaum’s collection is like.